Director: Yasujiro Ozu
Starring: Ganjiro Nakamura, Setsuko Hara, Michiyo Aratma
Year: 1962
This is a very different film from Ozu's Tokyo Story. More playful, slightly less melodramatic yet just as peotic as the accepted masterpiece by Ozu. Set in Kyoto, Ganjiro Nakamura, a well known kabuki actor seen also in Floating Weeds, plays Manbei, the father of a family. Just as in many of Ozu's films, his main concern is the arrangement of his daughter's marriage. However, she is torn between appeasing her father and pursuing another man. Meanwhile, Setsuko Hara, his widowed daughter-in-law, is also encouraged to remarry a respectable gentleman but she finds that she has nothing in common with him. Through this simple premise, Ozu explores the conflict between the pressure of conformity and desire for modernisation in Japanese society. The humour of the film comes from Manbei's secret excursions to his lover's house. Nakamura's acting in these little episodes are a gem.
Year: 1962
This is a very different film from Ozu's Tokyo Story. More playful, slightly less melodramatic yet just as peotic as the accepted masterpiece by Ozu. Set in Kyoto, Ganjiro Nakamura, a well known kabuki actor seen also in Floating Weeds, plays Manbei, the father of a family. Just as in many of Ozu's films, his main concern is the arrangement of his daughter's marriage. However, she is torn between appeasing her father and pursuing another man. Meanwhile, Setsuko Hara, his widowed daughter-in-law, is also encouraged to remarry a respectable gentleman but she finds that she has nothing in common with him. Through this simple premise, Ozu explores the conflict between the pressure of conformity and desire for modernisation in Japanese society. The humour of the film comes from Manbei's secret excursions to his lover's house. Nakamura's acting in these little episodes are a gem.
Comments: This is Ozu's second to last movie. Zhanna really liked it, while Steve thought is was somewhat disjointed and meandering compared to Ozu's other films. A small point in the film, the daughter of the central characters lover is a party girl who goes out with foreigners. This provide some interesting insight into the attitudes of post-war Japanese and Americans.
Recommended.
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